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American composer-librettist Mark Adamo’s latest opera, Becoming Santa Claus, was released on DVD/Blu-Ray in September 2017; it was commissioned and introduced by Dallas Opera in December 2015. The DVD release follows a new production in Boulder, Colorado, which Adamo directed, of a chamber version of The Gospel of Mary Magdalene, his third full-length opera, which was commissioned and introduced by San Francisco Opera in June 2013 and which itself followed a busy season of opera and chamber premières. In May 2012, Fort Worth Opera opened its first production of his second opera, Lysistrata; that September, the Constella Festival in Cincinnati opened their season with August Music, for flute duo and string quartet, commissioned by Sir James and Lady Jeanne Galway: in December, Sasha Cooke and the New York Festival of Song introduced The Racer’s Widow, a cycle of five American poems for mezzo-soprano, cello, and piano; and, in April 2013, baritone Thomas Hampson and the Jupiter String Quartet introduced Aristotle, after the poem by Billy Collins, in concerts at the Mondavi Center in Davis, California before continuing to Boston and New York under the auspices of the Chamber Music Society of Lincoln Center.

Adamo began his education in the Tisch School of the Arts at New York University, where, as a freshman in the Dramatic Writing Program, he received the Paulette Goddard Remarque Scholarship for outstanding undergraduate achievement in playwriting. He went on to earn a Bachelor of Music Degree cum laude in composition in 1990 from the Catholic University of America.  His music is published exclusively by G. Schirmer, Inc.

Episode:
The Creative Forces Behind From Page To Stage: The Lord of Cries